SanteChoraleV4, Main, Exploration, bibRecord, 000322

Articulatory Fo perturbations and auditory feedback.

Identifieur interne : 000322 ( Main/Exploration ); précédent : 000321; suivant : 000323

Articulatory Fo perturbations and auditory feedback.

Auteurs : S. Ternström [Suède] ; J. Sundberg ; A. Colldén

Source :

Journal of speech and hearing research [ 0022-4685 ] ; 1988.

RBID : pubmed:3398492

Descripteurs français

KwdFr :
- Adulte (MeSH), Bruit (MeSH), Femelle (MeSH), Humains (MeSH), Masquage perceptif (MeSH), Musique (MeSH), Mâle (MeSH), Parole (MeSH), Perception auditive (MeSH), Perception de la hauteur tonale (MeSH), Phonétique (MeSH), Voix (MeSH).
MESH :
- Adulte, Bruit, Femelle, Humains, Masquage perceptif, Musique, Mâle, Parole, Perception auditive, Perception de la hauteur tonale, Phonétique, Voix.

English descriptors

KwdEn :
- Adult (MeSH), Auditory Perception (MeSH), Female (MeSH), Humans (MeSH), Male (MeSH), Music (MeSH), Noise (MeSH), Perceptual Masking (MeSH), Phonetics (MeSH), Pitch Perception (MeSH), Speech (MeSH), Voice (MeSH).
MESH :
- Adult, Auditory Perception, Female, Humans, Male, Music, Noise, Perceptual Masking, Phonetics, Pitch Perception, Speech, Voice.

Abstract

Singers are required to sing with a high degree of precision of fundamental frequency (Fo). Does this mean that they have learned to compensate for the change of pitch that has been described in speech during production of different vowels? Experienced choir singers sang sustained tones with a change of vowel in mid-tone. The fundamental frequency was measured, and the resulting Fo contours were evaluated with respect to Fo effects coincident with the vowel changes. The tasks were performed both with normal auditory feedback and with the auditory feedback masked by noise in headphones. The vowels (i) and (y) were found to be associated with higher Fo than other vowels. The irregularities in the Fo curves were somewhat larger in the absence of auditory feedback. This is consistent with findings during speech production. The instability in Fo, measured as the standard deviation over each tone, was also larger in the absence of feedback.

DOI: 10.1044/jshr.3102.187
PubMed: 3398492

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Main, to step Corpus: 000325
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Le document en format XML

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<term>Male (MeSH)</term>
<term>Music (MeSH)</term>
<term>Noise (MeSH)</term>
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<term>Phonetics (MeSH)</term>
<term>Pitch Perception (MeSH)</term>
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<term>Voice (MeSH)</term>
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<term>Humains (MeSH)</term>
<term>Masquage perceptif (MeSH)</term>
<term>Musique (MeSH)</term>
<term>Mâle (MeSH)</term>
<term>Parole (MeSH)</term>
<term>Perception auditive (MeSH)</term>
<term>Perception de la hauteur tonale (MeSH)</term>
<term>Phonétique (MeSH)</term>
<term>Voix (MeSH)</term>
</keywords>
<keywords scheme="MESH" xml:lang="en"><term>Adult</term>
<term>Auditory Perception</term>
<term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Music</term>
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<term>Phonetics</term>
<term>Pitch Perception</term>
<term>Speech</term>
<term>Voice</term>
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<keywords scheme="MESH" xml:lang="fr"><term>Adulte</term>
<term>Bruit</term>
<term>Femelle</term>
<term>Humains</term>
<term>Masquage perceptif</term>
<term>Musique</term>
<term>Mâle</term>
<term>Parole</term>
<term>Perception auditive</term>
<term>Perception de la hauteur tonale</term>
<term>Phonétique</term>
<term>Voix</term>
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<front><div type="abstract" xml:lang="en">Singers are required to sing with a high degree of precision of fundamental frequency (Fo). Does this mean that they have learned to compensate for the change of pitch that has been described in speech during production of different vowels? Experienced choir singers sang sustained tones with a change of vowel in mid-tone. The fundamental frequency was measured, and the resulting Fo contours were evaluated with respect to Fo effects coincident with the vowel changes. The tasks were performed both with normal auditory feedback and with the auditory feedback masked by noise in headphones. The vowels (i) and (y) were found to be associated with higher Fo than other vowels. The irregularities in the Fo curves were somewhat larger in the absence of auditory feedback. This is consistent with findings during speech production. The instability in Fo, measured as the standard deviation over each tone, was also larger in the absence of feedback.</div>
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<DateRevised><Year>2019</Year>
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<PubDate><Year>1988</Year>
<Month>Jun</Month>
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<Title>Journal of speech and hearing research</Title>
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<ArticleTitle>Articulatory Fo perturbations and auditory feedback.</ArticleTitle>
<Pagination><MedlinePgn>187-92</MedlinePgn>
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<Abstract><AbstractText>Singers are required to sing with a high degree of precision of fundamental frequency (Fo). Does this mean that they have learned to compensate for the change of pitch that has been described in speech during production of different vowels? Experienced choir singers sang sustained tones with a change of vowel in mid-tone. The fundamental frequency was measured, and the resulting Fo contours were evaluated with respect to Fo effects coincident with the vowel changes. The tasks were performed both with normal auditory feedback and with the auditory feedback masked by noise in headphones. The vowels (i) and (y) were found to be associated with higher Fo than other vowels. The irregularities in the Fo curves were somewhat larger in the absence of auditory feedback. This is consistent with findings during speech production. The instability in Fo, measured as the standard deviation over each tone, was also larger in the absence of feedback.</AbstractText>
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	Serveur d'exploration sur le chant choral et la santé
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Serveur d'exploration sur le chant choral et la santé

Articulatory Fo perturbations and auditory feedback.

Articulatory Fo perturbations and auditory feedback.

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki